by Tracy R. Twyman


from TracyTwyman Website

recovered through WayBackMachine Website

Spanish version

It is commonly known now, more so than ever before, that the United States of America was founded largely by men with a philosophy grounded in the occult: namely the members of Freemasonry, and other secret societies, who saw in the US a potential “New Atlantis” or “New Jerusalem.”

They foresaw the future of the United States as a beacon to the rest of the world, guiding the nations towards the formation of a New World Order of peace, democracy, and enlightenment. Many people today would agree that the US is indeed, in several ways, fulfilling this role already. If nothing else, most people would certainly agree that the America has come to dominate the world financially, and that among world currencies, the American dollar is king.

But what few people understand is the correlation between the esoteric doctrines of Masonry upon which the United States was founded, and the economic principles that underpin the American economy.

Few understand that the dollar is a unit of magical energy, and the dollar bill itself a magical talisman. Although many words have been written by conspiracy theorists analyzing the Masonic symbols on the one dollar bill, no one has yet been able to sufficiently explain why these symbols are there, or what they really mean. Certainly no researcher yet has successfully connected the markings on American money to the hidden secrets of the American monetary system.

The symbolism of the American dollar bill has been the subject of Masonic conspiracy theories since the modern version was first rolled our during the Roosevelt administration in 1935. Masonic and mystical symbolism has been used on American currency since the very beginning, and was employed as a means of distinguishing our money from that of Old World Europe, which invariably featured the bust of the reigning monarch. In contrast, our founding fathers agreed that our money should be decorated with the symbols of the anti-monarchist, pro-democratic Enlightenment philosophy upon which the Republic was founded, and many of these ideals were Masonic in origin.

The Great Pyramid, the All-Seeing Eye, and quirky phrases like “Deo Favente Perennis” (God’s Favor Through the Years”), or “Mind Your Business” appeared on early American currency. Indeed, the heads of “dead Presidents” and other state figures were not shown on US money until the twentieth century, when it was seen as less taboo. But all researchers of the subject agree that nothing tops the modern American one dollar bill for the sheer exactness and complexity of its mystical symbolism.

The meaning of the symbolism is so deep, the metaphors so multi-layered, and each element so precisely placed, that although all of the other American bills have changed their appearance to prevent counterfeiting (with the heads moved off-center, and the addition of funky rainbow colors) the perfection of the one dollar bill has remained intact.

When analyzing the symbolism of the one dollar bill, most researchers tend to focus on the repeated use of the number 13, which they always insist is “an important number sacred to Freemasons”, without demonstrating any proof of the supposed Masonic affinity for this particular number.

This is, of course, the number of colonies that originally constituted the United States of America, and thus thirteen stars have been used in American heraldry since the start of the union, appearing not only on our first national flag, but upon many of our early coins as well. Since Freemasons were responsible for both the foundation of many of America’s institutions and the design of our national symbols, it is tempting to ascribe a Masonic significance to the use of this number, and indeed there may be one.

But there is no special mention of the number 13 in any known Masonic ritual, except perhaps in the rites of the Noble Order of the Shrine, where this number seems to be mentioned often, but with no particular meaning given to it. In any case, the Shriners did not exist at the time of the founding of the American Republic. None of the quintessential Masonic tomes, such as Albert Pike’s Morals and Dogma, make any special note of the number.

Although Pike examines the meaning of many numbers in terms of cabalism and sacred geometry, mention of 13 is conspicuously absent, almost like an office building from the early twentieth century in which the thirteenth floor has been superstitiously omitted.

Even Freemason Manly P. Hall, in his 1944 book The Secret Destiny of America (where he interprets the history of the United States as the unfolding of an ancient Masonic plan) can only offer lamely that 13 symbolizes Jesus and the twelve apostles, or the Sun and the twelve zodiac signs.

One would expect him to offer something more interesting, but perhaps he was just being coy. Indeed, if there are any Masonic teachings regarding this number, then they are among the few Masonic teachings that have actually remained secret throughout the centuries.

My research tends to indicate that there is in fact a proto-Masonic significance to this number, and one which would have been of special importance to the founders of the United States, had they known about it.

At any rate, Masonic or not, the number 13 is undeniably the most omnipresent, most repeated symbol on the one dollar bill, although its use isn’t always explicit.

Most of them are featured on the back of the bill. The pyramid on the left has thirteen layers, not including the eye at the top. Above the head of the eagle on the right, there is a constellation of thirteen pentagonal stars, arranged in the shape of a Seal of Solomon.

There are thirteen leaves on the olive branch in his right talon, and thirteen “Jonathan arrows”, as they’re called, in his right. There are thirteen horizontal divisions on the eagle’s shield, and thirteen vertical ones.

The motto “E Pluribus Unum”, written on the banner in his beak, contains thirteen letters.

So too does the motto “Annuit Coeptis”, written above the pyramid on the left. Furthermore, if you add the number of letters in “Novus Ordo Seclorum” and “MDCCLXXVI” (“1776” in Roman numerals) written below the pyramid, you get 26, or two sets of thirteen. On the front of the bill, at the base of the portrait of George Washington, on each side there are eight leaves and five berries, indicating another two sets of thirteen.

There are also thirteen stars on the chevron on the seal of the Treasury Department that is featured to the right of Washington, overlaying the word “ONE.”

Clearly these allusions to the number thirteen are no accident.

This truth is compounded by the letters in permanently featured words on the front of the dollar bill (that is, words not contingent upon any changing circumstance, such as the name of the US Treasurer).

These words include:





  • “ONE”





The total number of letters in these words is 169, or 13 squared.

Returning to the back of the bill, there would appear to be exactly thirteen examples of the use of the number 13 there. But in order for this to be correct, you have to count “IN GOD WE TRUST.” Of course, there are only twelve letters in this phrase, but occupying the same space in the center on the back of the bill is the word “ONE”, implying that we should add 1 to this sum and make 13.

This leads us to the thirteenth example of the use of 13 on the back of the bill. There are twelve occurrences of the number “1” or the written word “one”, unless you count the Latin word “unum”, meaning “one”, used once, which makes 13 in all.

In fact, this emphasis on “one” on the one dollar bill is yet another mysterious motif. The concept of “unity” could in fact be said to be the real underlying theme of the one dollar bill. And rightly so: it represents, after all, the original unit of currency upon which the American economic system is founded. It is the blueprint upon which all other dollar bills are based, and when we think of the American dollar, the first image that pops into our minds is the one dollar bill.

As the official representation of the original unit underpinning the economy, its unity is expressed with the plenteous use of “1”, the central placement of “ONE” on the back of the bill, and the use of the motto “E Pluribus, Unum” (“Out of Many, One”) underneath a constellation of thirteen stars, representing the original colonies that were “unified” at the creation of the United States.

The theme of “one” is continued with the use of the first American President, George Washington, on the front of the bill, and with the word “ONE” written next to him. As well, I would include the symbol of the pyramid on the back, which according to the designers of this emblem, was meant to represent the ideal state, made up of individuals (the stones) unified into one structure (the pyramid), under the divine unifying principle (the All-Seeing Eye of Providence).

Other strange features include the words “Annuit Coeptis” (“He [meaning God] favors our undertaking”) and “Novus Ordo Seclorum” (“The New Order of the Ages”). These are both based on quotes from the Roman poet Virgil, although they have been slightly altered, and both quotes referred in their original context to “Juppiter Omnipites” (“Omnipotent Jupiter”), essentially the Roman equivalent of the Judeo-Christian Almighty God. (Interestingly, “E Pluribus Unum” is also a quote from Virgil slightly altered, and some see in these alterations a numerological significance.)

In the original Virgil poem, the words “Juppiter Omnipotes, Audacibus Annue Coeptis” were a plea for the deity to “favor my daring undertakings.” The words on the back of the dollar bill not only plea for, but confidently declare, God’s favor upon the “daring undertaking” there represented: creation of a “New Order of the Ages”, or new global power structure, headed by the newly-created republic of the United States. For these symbols and words belong not just to the dollar bill.

They are part of the Great Seal of the United States (click below images), created in 1776, at the same time the nation was founded.

It is the front and back side of the Great Seal which is represented on the back of the dollar bill.

The three stars around the Masonic eye represent the trinity

(Lucifer, Antichrist, False Prophet)





The eagle’s shield is positioned in the corner of the pyramid the tip of his wing ends precisely at the end of the illumined light.

This shows a very careful design.





The eye has come down on the pyramid (New World Order domination). The pyramid becomes a winged symbol. The Masonic eye is coming out of the eagle’s eye. The New World Order will be a revived Roman Empire. Symbol of The Roman empire was the eagle. The New World Order coming out of the Old Roman Order.


The design of the Great Seal has never been ascribed to any one individual, and it has evolved a bit over the years.

But the essentials of the design were sketched out right at the beginning, in 1776, the year of the Revolution, emblazoned in Roman numerals beneath the pyramid on the back of the seal.

That’s right: the roundel featuring the eye above the pyramid is actually the reverse side of the great seal, and the roundel featuring the eagle is really the front. It is the front of the Seal which is used to seal official US documents, not the back. Several people are known to have contributed to the design of both sides of the Seal, including Benjamin Franklin, Thomas Jefferson, William Barton, Charles Thomson, and Pierre Eugene du Simitiere, and all but one were Freemasons.

The first metal die for the Seal was cut by Robert Scot, a Freemason, in 1782. However, although dies were commissioned for both the front and the back of the seal, only the front was actually cut. No die was made for the back of the seal until much later, and most people were not aware that their national seal had a back to it at all until it appeared on the dollar bill in 1935.

Thirty-third degree Freemason and historian Manly P. Hall wrote that the reverse of the seal was not originally used,

“because it was regarded as a symbol of a secret society and not the proper device for a sovereign state.”

Just like the Great Seal, the one dollar bill was also designed by a group of Freemasons working for the government; in this case, President Franklin Roosevelt, Secretary of Agriculture Henry A. Wallace, and Secretary of the Treasury Henry Morgenthau, although the design was executed at the Bureau of Engraving and Printing (which employed exactly thirteen engravers).

It was Wallace’s suggestion that the front and back of the Great Seal be used on the reverse of the dollar, although he originally wanted the front of the seal to be on the left, and the back of the seal to be on the right, which makes sense logically. But it was President Roosevelt who suggested switching that order, and putting the more interesting reverse of the seal on the left, which made more sense intuitively, since the Western eye naturally reads words and images from left to right.

In God We Trust” was not placed on the bill until 1957.

However, it was originally made the national motto of the United States in 1863 at the suggestion of Treasury Secretary Salmon P. Chase, who himself had supposedly been prompted to do so by a protestant minister concerned with the waning of religious fervor in the American public.

This man purportedly wanted to ensure that the US would always be officially grounded in faith in divine Providence, and thus this motto was put on all American coins ever since, although it did not appear on paper currency until much later.

But “In God We Trust” is indeed a Masonic motto – one used in almost all Masonic rituals, in which the participants must pledge to always put their “trust in God” during the ceremonies – and this specific phrase can be found in Masonic dictionaries. Its appearance on the dollar bill in the 1950s may have been meant to bolster a currency increasingly dependant on faith due to changes in American monetary policy.

This process began in earnest in the 1930s, right around the time that the new one dollar bill was being designed. In an effort to help America climb out of the Great Depression, Roosevelt began employing the economic policies of advisor John Meynard Keynes, who suggested that, during times in which the private sector wasn’t producing enough investment to stimulate the economy, the government should become the investor, financing public works, and dumping money into the system in whatever way possible to grow the economy.

Thus he instituted the “New Deal”, creating an “alphabet soup” of bureaucracies, many of which have now become mainstays of federal government.

Among these was the FDIC, or Federal Deposit Insurance Corporation, which insured bank accounts to a limited amount in the event of a bank’s failure – something that was necessary after a number of bank failures had occurred in the previous years.

And it may not be an accident that “FDIC” implies the word “fiducial”, a financial term with its roots in the Latin word “fides”, which means “trust, confidence, reliance, credence, belief, faith… credit.”

(Fides was symbolized in the Mithraic mysteries by two hands clasped together, now a common Masonic motif, and the logo of Allstate insurance.)

It was this “faith” in the American dollar that Roosevelt and his friends may have been attempting to create with the new design of the dollar bill.

And that faith was sorely needed, for in order to free up the money needed to finance the New Deal, Roosevelt instituted sweeping changes to the country’s monetary policy. He removed the dollar from the “gold standard” to which it had been implicitly set, so that he could have the money supply greatly expanded with no predetermined limit. It worked to stabilize the economy just in time for the United States to enter WWII, which turned out to be another great economic stimulator.